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The chapter “iQiyi: China’s Internet Tigers Take Television" by Michael Curtin and Yongli Li offers a fascinating insight into the evolution of television in China and the pivotal role played by “iQiyi” the leading video streaming service in the country. Accordingly, the transformation of television from a highly centralized, government-controlled medium to a diverse and dynamic landscape of online and mobile streaming services is a testament to the rapid changes occurring in media consumption globally. After critical review of the chapter, I learned that it provides significant insight into the evolution of television from a highly centralized system controlled by the Communist Party to a dynamic, diversified, and digital media landscape. 

The chapter denotes how digital innovation and the rise of the Internet have given birth to a new era of television in China. Unlike the traditional broadcast model, online streaming platforms like “iQiyi” offer a broader range of content, catering to the diverse tastes and preferences of a vast and tech-savvy audience (pg. 345). This shift has not only democratized content production but has also allowed for greater audience interaction, breaking down the barriers between producers and consumers. 

The chapter also highlights the delicate balance that companies like “iQiyi” must strike between commercial imperatives and the enduring influence of the Communist state. Although these platforms offer a wealth of content and entertainment options, I pointed out that they must navigate government regulations and censorship, often walking a fine line to avoid running afoul of authorities.  This dynamic highlight the complex relationship between the private sector and the government in the context of media and entertainment. 

The success of "iQiyi" in obtaining exclusive rights to well-known international works, particularly South Korean dramas, demonstrates the platform's capacity to capitalize on global trends and draw a sizable audience. It's amazing to watch how online streaming services have fueled the demand for foreign content in China, fostering cross-cultural interaction and internationalization (pg. 350). 

In conclusion, the chapter highlights profound impact of digital technology and the Internet on China's media landscape. In addition to being a case study in economic success, "iQiyi's" ascent to prominence is also a reflection of how television and media consumption are changing in a culture that is modernizing quickly. The chapter highlights the complexities and opportunities that arise when technology, entertainment, and government interests intersect in a modern, interconnected world. 

 

 Reference 

Johnson, D. (2018). From networks to netflix: A guide to changing channels. Routledge.

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